YOU'VE GOT RED ON YOU

Unlike some other film genres, 2017 was another pretty good one for horror fans. “IT” busted box-offices all around the world to become one of the biggest horror movies ever. “Get Out” was one of the best reviewed films (regardless of genre) in ages, and is on track to win a bundle of industry awards. And lower-budget fun films like “Happy Death Day” quietly made a whole heap of money and profit for studios like Blumhouse. Happily, 2018 looks to be just as lively and as inter

Get Out (Directed by Jordan Peele) Hands-down one of the best critically reviewed films of the year, and one of the most highly regarded. Not to mention one of the most profitable movies, that kicked off another superlative year of genre for Blumhouse productions. It was rated 100% on Rotten Tomatoes for a while, and the only person who seemingly had a bad word to say about it was Samuel L. Jackson (who whinged about another Brit actor in the lead role of a US film). The dire

MOTHER! (Directed by Darren Aronofsky) Well, alright, alright, alright… as a certain Mr McConaughey might say. We’re well aware that a sizable chunk of people and critics regard this as a genuine masterpiece and a great piece of unconventional cinema. We’re just not in that group. We also know that opinions are subjective, everyone is entitled to theirs, and this film was deliberately made to get one definite reaction or another. We also recognise that this is a well-made fil

It was the night before Christmas and all through the house, not a creature was stirring not even a mouse. Well… apart from a slightly overweight old guy with a beard, breaking into your house to eat your mince pies. Don’t worry though he leaves gifts! Christmas is supposed to be a time for peace on earth and goodwill to all men but all this festive cheer can become overbearing. This got me wondering, is there a dark side to any of these time honoured traditions? Don’t get me

A retrospective of the “Child’s Play” franchise (1988 – 2017) Introduction “Wanna play?” One of the YGROY team has a custom-printed T-shirt called “Slasher Icons”. Alongside the shadowy profiles of Freddy Krueger, Jason Voorhees, and Michael Myers - in the words of “Sesame Street” - one of these things is not like the others. A tousled-hair freckle-faced little scamp brandishes a huge knife and sinister smile. So how did the freaky love-child of a Cabbage Patch Kid and Carrot

Another year, another mid-season finale. I repeat myself all too often but the “artsy” shots the Directors routinely indulge in were grating before the opening credits even rolled. I really hope they move past this particular pretension after this series. The episode improved but my confusion intensified. After praising that show for re-establishing Rick’s over-arching intentions and game plans in a much more coherent way over the last few episodes, last night’s episode was r

INTEGRATION OF THEME Spoilers: Get Out (of course!) After considerable delay (sorry), I’m going to conclude my three-part analysis of Get Out (written by Jordan Peele) by discussing the use of theme. The movie has been widely praised for its exploration of race relations in America. It’s unusual to hear people talk about theme in a genre movie. We typically think commentary on social issues as being the opposite of entertainment. But Get Out uses racial issues and tension to

Empire Magazine once called SIMON RUMLEY 'one of the most important and intelligent British Directors working today.' And it isn't hard to see why. Capable of switching between drama and thriller, Rumley is also responsible for a selection of impressive horror flicks, including The Living and the Dead (2006), Red White & Blue(2010) and a segment of The ABC's of Death (2012). Rumley's newest feature, Johnny Frank Garrett's Last Word will also get it's UK premiere at this year'

Best known for the noir slasher Rites of Spring (2011), PADRAIG REYNOLD'S latest genre offering The Devil's Dolls will be released later this year. Reynolds describes the movie as 'a down and dirty detective story filled with voodoo curses and bloody violence' . What's not to like? Here he talks about his love (and initial terror!) of one of the most famous slasher movies of all time...Friday 13th (1980) FRIDAY THE 13TH is the scariest fucking movie of all time. Let me tell

Although perhaps best known for 2013's Nailbiter, prolific film-maker PATRICK REA saw his latest genre effort - wilderness horror Enclosure - received its UK premiere at this year's Frightfest festival. And word is that it's rather good. Here he talks about his love of surely the scariest PG rated film of all time...Poltergeist (1982) When asked to pick my favorite horror film of all time, I found myself at a crossroads. Do I pick my favorite horror film that may be more of a