YOU'VE GOT RED ON YOU

If you were planning to make a super scary film about a young couple trapped in a creepy hotel for the night, to ensure the film was really

So the two-handers continue! In fact, that's basically all we have had for a month now, with the show intent to focus in on the dynamics bet

A couple of weeks ago I said that I thought the rest of this series would be lighter on action and heavier on character development but I do

THIS SPRING, courtesy of Shudder and Vertigo Releasing, two titans of 21st-century British horror return to the genre they carved their name

Last week it was Daryl and Carol who were under the microscope. This week we had a slightly less combustible pairing in the form of Aaron and Gabriel. These self-contained episodes were a hallmark of previous seasons and I think it’s safe to say that most fans got a little bored with the ponderous (often rather pointless) segues from the main story action. TWD has developed into a show that takes pride in fleshing out its characters and giving some time to some of the moral a

Maggie was the focus of last week's episode – and this week we had about as much Daryl as we've had for a very long. This of course is a good thing. One of the reasons the show lost its way it because it had built up a bloated cast and then seemed intent on killing off some of its strongest characters. It then compounded the issue by dedicating as much time and attention to the less interesting characters as it did the big guns. Well, showrunner Angela Kang has addressed that

So the end is nigh. We’ve only got another season and a half of one of the most successful TV shows ever made left to enjoy (and moan about). It’s been an up and down decade or so and although the viewing figures continue to drop, there has been a slight upturn in terms of quality over the last couple of seasons. Which is kind of crazy when you consider this is the post Rick Grimes era - and a time when many wondered how the show would fare without him. In truth, although we