FREEHOLD (OCTOBER 17TH)

YOU'VE GOT RED ON YOU TAKES PART IN THE 31 DAYS OF HALLOWEEN CHALLENGE; WATCHING ONE HORROR MOVIE A DAY THROUGHOUT OCTOBER. SOME OF THEM OLD, SOME OF THEM NEW, SOME OF THEM HAVE JUST BEEN ON OUR SHELVES FOR YEARS GATHERING DUST, STILL IN CELLOPHANE...

An Englishman’s home is his castle. Except these days it’s more than likely to be an over-priced and cramped one-bedroom apartment in a crowded city space. That’s the setting for this unsettling little UK film that’s been getting some surprisingly good notices on the festival circuit both here and in the US. It played at SXSW (under the original title of “Two Pigeons” … which makes sense if you see the film), and more recently screened at this year’s London Frightfest event. Directed and co-written by Dominic Bridges, it also picked up some attention for one particular member of the cast. Like Doug Jones (Abe Sapien in “Hellboy”), Javier Botet is best known for his physical roles and for being hidden under prosthetics and CG enhancements. He played Mama in “Mama”, the Xenomorph for some scenes in “Alien: Covenant”, the leper hobo in “IT”, and will soon be “Slenderman” in the film of the same name. And yes… he is exceptionally slender. He appears here as a rare-for-him “human” character. The film also stars Mim Shaikh, a well-known radio personality and presenter, in one of the main roles. The film is now available on UK DVD/VOD, so YGROY asks for a viewing and if it’s handy for the shops and the local railway station…

It starts (and remains) in the small one-bedroom apartment that belongs to Hussein (Shaikh). Rising for work in the morning, he goes through the normal manly ablutions - brushing his teeth whilst taking a dump and plucking his eyebrows - the usual stuff. Fully spruced up (and wearing the most horrendously loud suit possible), he cockily struts his way to work at the local office. We know that he’s an estate agent because he’s already spouting smarmy house-buying jargon on his mobile home. However, the very second that he’s left and locked his front door, a strange gaunt figure appears from seemingly nowhere and starts to creep around the flat. This emaciated figure clad in dirty underwear is the mysterious Orlan (Botet), a Spanish-speaking man who seems totally out of place with his surroundings. With the apartment to himself, he proceeds to weirdly replicate the morning toiletries of Hussein and take meagre supplies of food from the cupboards. When Hussein returns, Orlan has disappeared and there is no evidence of his presence. This continues for some time, until it becomes very clear that sinister plans are afoot for the oily house seller…

“Freehold” is a darkly comic tale that becomes quite absorbing and intriguing during its running time. The whole thing takes place within a couple of rooms (obviously an internal set), but that doesn’t necessarily matter. It’s the strange and unsettling symbiosis that exists between the two lead characters that drives the narrative. Without being too spoilery (although the blurb on the DVD and the synopses online certainly are), the story echoes the shiver-some elements of voyeuristic films like “Hangman” or “Sleep Tight”. But you get more from the film if you go into it not knowing what to expect.

At its best the movie supplies details that are occasionally hilarious (fingernail clippings under the pillow), but more often than not absolutely retch-inducing. You may want to smell your cutlery drawer and throw away that bottle of mouthwash after watching this! It perfectly captures that feeling of defilement and unease, which comes from somebody invading your personal space in the worst way. It’s a lovely distillation of paranoid fears that shouldn’t exist. You’re out at work all day, so how can you tell what might be happening to the facecloth you use every morning? Answer (according to this film) = something pretty unpleasant. It’s the best kind